The Vesperbild

Yes, I am aware that I am posting this late, but whatever, I sort of wanted to post about this anyway, not that I felt like doing the work but I do really like this piece. The reaction in class to the Vesperbild was a negative one, and I found myself to virtually be the only who liked it. I liked this piece because it is very dark looking. The colors, the scene presented to the onlooker, Jesus' face as well as his mother's; it's all very dark, and I am no stranger to dark artwork.

Since I am no stranger to dark art, there is a sense of familiarity about this artwork, I see dark pieces of art almost daily when looking for new music on the internet. But I digress, the message in this piece isn't even a bad one, well... not meant to be bad, although it does portray a bad scene. The bad scene is not shown to demonstrate that Christ was a weak man, no, that would be a negative message, the bad scene is shown so that the onlooker can understand the pain Christ went through for our sins to be forgiven--he underwent crucifixion for us. Whether or not he truly is the Son of God, I cannot be certain, but obviously Jesus really believed in what he did, and for that, he should be thanked since he thought he was doing the world a favor. But going back to the piece at hand, there was one thing that kind of bugs me: the fact that Christ's hair does not adhere to the rules of gravity like it should. For some reason, the artist of the Vesperbild made his hair conform to his neck, not dangling in the air like it should. Perhaps the artist wanted the piece to look a certain way, or maybe he or she wasn't thinking when he/she made it.

Overall I find this to be a very cool, and very different piece which conveys Jesus Christ's and the Mother Mary's feelings to the viewer, and in my opinion, shows that we should be more thankful for what the Lamb has given to us than the ordinary positive-looking piece of art that depicts a triumphant Jesus emanating with holy light and possessing an aura of purity.

A Section of "Fishing In a Mountain Stream"

Important note: when viewing this on my blog I found that some of the 1st paragraph, the one above the first picture is covered by some of my blog interface, I don't know how to fix this while editing, so a simple solution to read everything is to copy and paste the text to Microsoft Word.

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At a young age I found Asian cultures fascinating. I liked the art and the symbols, this was probably due to my taking Kung Fu lessons at the age of 7 and my introduction to anime around the same age, give or take a couple years. As I got older I began to understand more and more, and my attention shifted from Asian cultures to the Japanese culture specifically. This led to my knowledge of many Japanese weapons, Japanese historical figures such as Oda Nobunaga, Musashi Miyamoto and Masamune, as well as relative knowledge of mythological figures such as the tengu and oni. We also cannot forget the world famous warriors that came from Japan, the samurai, of which I have a great understanding. Despite my fascination with Japanese culture, I didn't choose a Japanese piece of art for this blog post, I chose a section of the Chinese painted handscroll, "Fishing In a Mountain Stream" by Xu Daoning.

A Section of "Fishing In a Mountain Stream" by Xu Daoning

   This painting brings a slight feeling of nostalgia, and I'm a pushover when it comes to feelings of nostalgia; it takes me back to when I practiced Kung Fu at this place up north in New Castle County. I greatly enjoyed that time of my life. It also vaguely reminds me of some of the artwork used in popular anime shows Dragon Ball and Dragon Ball Z, and quite possibly even my favorite anime, Rurouni Kenshin.

One of the traits of this piece that I like is the fact that it is in black and white (or black and tan if one considers the color of the scroll); I always make my art in black and white, for some reason coloring is tedious to me, so I just refrain from doing it; it's important to know that I don't always like black and white art, but this time I do. I also like how it's shaded--surprisingly, it adds to both the complexity and simplicity of the art: while the piece on a whole is complex, and complex when looking at certain points, it is quite simple in the lightly shaded and non-shaded areas, to the extent that I would call those points minimalist. What I find interesting about this is that the eye is led to small intricacies in the art, for example, the shaded boats with fishermen stick out to the viewer because they aren't surrounded by shading.

This piece is also quite detailed, which, if you've read my other posts you might remember my saying that I enjoy detailed art. I know some of you might be sick of my comparing everything to metal music or metal artwork, but that's something I think I do with many things, consciously or not. Thus I found some similarities between this and metal artwork--this piece reminds me specifically of the remade cover for the 2011 reissue of Death's "The Sound of Perseverance," which originally came out August 31, 1998. The similarities I see is that both pieces focus on mountains/mountain-like formations and the rigidity of those formations . "Fishing In a Mountain Stream" also reminds me of some of the artwork by my favorite artist, Par Olofsson, who sometimes creates very nice landscapes in his pieces.


2011 reissue album cover of Death's "The Sound of Perseverance," artwork by Eliran Kantor

Overall this section of "Fishing In a Mountain Stream" reminds me of things from my own life which have contributed to the evolution of my personality through the years and I find that incredible; I find it incredible because a depiction of a mountain in a certain style moves me--it makes me remember things that are important to me.

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Additionally, to anyone that likes looking at artwork, I suggest viewing Eliran Kantor's site, he's the man who remade the album cover to "The Sound of Perseverance" and has made many other album covers over the years. Here is the link: http://www.elirankantor.com/.

Blog 2 - The Illuminated Tugra of Sultan Suleyman



      A tugra is an imperial cipher, it's a work of calligraphy that is the result of combining a ruler's name, title and the motto "Eternally Victorious" (at least in the Ottoman version anyway.)
     I like this piece because it has something that I greatly enjoy in art: detail. Look at the intricate patterns on the left side of the piece, inside the largest loop, it looks as if some sort of vine is swirling around, much like a whirlpool. My most favorite detail though, is the small pattern on the right side that is akin to a Celtic knot, it looks almost like someone started with a pattern in mind and gradually lost sight of it, to the point that it went from something well thought-out to something that's haphazard, but also looks pretty. Obviously the appearance of this detail was intended to look like it does, seeing as how the large, central design (which I believe to be lettering) leads into the knots. Another detail which I admire is the lettering itself, not so much the lettering in the central design, but the gold and black lettering beneath it; Arabic lettering probably looks quite simple to the speakers/writers of the language, but it seems incredibly complex to this Westerner.
     The only thing that I do not like about this piece is the fact that the groups of lettering under the central design do not go with the flow of that design, so it looks like random writing that's just there. Another aspect of this tugra that I find appealing is the coloring. Blue and gold seems to be used often in Islamic pieces of art and I, personally find the combination of blue and gold attractive. Additionally, another reason draws me to this piece of art: it hits home. It reminds me of metal band logos which, in my opinion are works of art in and of themselves; some might be derivative (in fact, very derivative) of other logos, but they are still incredibly complex pieces of art that look menacing (to the metal community, menacing artwork is good) and at times, even beautiful. I have two examples here, the logo to the bottom-left belongs to the generally popular Swedish band, Opeth, while the one to the bottom-right belongs to the obscure, now defunct, American black metal band, Xasthur.
     All in all, this tugra, the illuminated tugra of Sultan Suleyman is a very beautiful piece of artwork and remains a central piece of Islamic art in my mind.

Blog 1 - Vapheio Cup

     The vapheio cup is a piece of art from the Ancient Aegean. What I find interesting about it is the amount of detail in it; it must have been very difficult to make such intricacies stand out the way they do what with the technique of repousse being used. It also is only about 4.5 inches tall, making the details even harder to produce. What I don't like about it is that the handle looks bent although this may not be intended, and it's not solid gold, but lined with sheet gold. I'm not a big fan of gold to begin with. Regardless of what I see as negatives, it is still a very nice looking piece, and seems as if it is still functional. Aegean art in general is somewhat interesting to me, not as interesting as metal album art or Renaissance artwork, but is still a regional art style that I find somewhat worthwhile.

A Little Bit About Me

Hello, my name is John Hamrick, although I prefer to be called by my middle name: Tyler. I graduated from high school this year and (obviously) dove straight into college. I'm studying to become a social studies teacher, I'm studying that because I know a lot about history and I find it and political science quite interesting. My free time is usually spent listening to music, finding new bands and paying attention to news related to music, specifically metal; in fact I occasionally contribute news items to my favorite metal blog, NO CLEAN SINGING. Anything I do in my free time aside from music would have to be playing games, watching tv, Facebook and day dreaming--yes, day dreaming.

I also like art, which is appropriate considering this is Art History; my favorite type of art also has to do with metal, that is, I enjoy metal album covers. To anyone outside of the metal community, the fact that metal-related artwork exists might seem surprising, and another interesting aspect is that the artwork is often complex, intricate pieces of work; my favorite album artist is Par Olofsson.

Hopefully you guys will comment on my future posts. Thanks for taking the time to read!